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SERENA WEBB DANCE THEATER PRESENTS
SNOW WHITE: A GOTHIC FAIRYTALE
Story by: Chet Garbot and Serena Webb
Based on the original fairytale by the Brothers Grimm
Concept, Choreography & Direction by: Serena Webb
Additional movement developed in collaboration with the dancers
Music by: Philip Glass
Lighting Designer: Glenn Linder
Costume Designers: Juliana Beers and Serena Webb
Rehearsal Director: Juliana Beers
Rehearsal Assistant: Jennessa Howard
Partnering Coach: Sabrina Hardman
Stage Manager: Brian Tucker
Backstage Crew: Kaleb Tucker, Trajan Tucker, and Quinten Tucker
Photography: Karyn Andrasko and Jessica Peterson
Videography: Vincent Pelina
Seamstresses: Karyn Andrasko, Juliana Beers, Sabrina Hardman, Claire Bagley-Hayes, and Jennessa Howard
Sets provided by: Pioneer Theatre and Scera Theater
Executive Artistic Director: Serena Webb
Associate Artistic Director: Kirsten Tucker
Assistant Director: Karyn Andrasko
Board of Directors: Karyn Andrasko, Melanie Atwood, Claire Bagley-Hayes, Michael Harrison, Meredith Nickle, Brian Tucker, and Whitney Wyatt
*Photography and Videography of tonight's performance is strictly prohibited
**Strobe lighting effects will be used briefly during this performance. Patrons that may suffer from epilepsy & other visual light stimulation please be advised.
Based on the original fairytale by the Brothers Grimm
Concept, Choreography & Direction by: Serena Webb
Additional movement developed in collaboration with the dancers
Music by: Philip Glass
Lighting Designer: Glenn Linder
Costume Designers: Juliana Beers and Serena Webb
Rehearsal Director: Juliana Beers
Rehearsal Assistant: Jennessa Howard
Partnering Coach: Sabrina Hardman
Stage Manager: Brian Tucker
Backstage Crew: Kaleb Tucker, Trajan Tucker, and Quinten Tucker
Photography: Karyn Andrasko and Jessica Peterson
Videography: Vincent Pelina
Seamstresses: Karyn Andrasko, Juliana Beers, Sabrina Hardman, Claire Bagley-Hayes, and Jennessa Howard
Sets provided by: Pioneer Theatre and Scera Theater
Executive Artistic Director: Serena Webb
Associate Artistic Director: Kirsten Tucker
Assistant Director: Karyn Andrasko
Board of Directors: Karyn Andrasko, Melanie Atwood, Claire Bagley-Hayes, Michael Harrison, Meredith Nickle, Brian Tucker, and Whitney Wyatt
*Photography and Videography of tonight's performance is strictly prohibited
**Strobe lighting effects will be used briefly during this performance. Patrons that may suffer from epilepsy & other visual light stimulation please be advised.
DIRECTORS NOTE
Special thank you to all the dancers for their contributions to the movement and choreography. Your artistry goes beyond execution—you have helped create the very language of this work. Through your individuality, vulnerability, and commitment, you have transformed steps into storytelling and movement into something deeply alive.
As you can see, many of our dancers wear many hats—whether assisting in rehearsals, cleaning choreography, or even sewing costumes. I truly could not do any of this without your unwavering support, dedication, and willingness to go above and beyond. This production exists because of you.
This work is built not only on artistry, but on devotion. To my family—your unwavering support, quiet sacrifices, and constant presence are woven into every moment on stage. This company exists because of you.
This show is dedicated to Meredith Nickle. I hope you see some really nice things.
As you can see, many of our dancers wear many hats—whether assisting in rehearsals, cleaning choreography, or even sewing costumes. I truly could not do any of this without your unwavering support, dedication, and willingness to go above and beyond. This production exists because of you.
This work is built not only on artistry, but on devotion. To my family—your unwavering support, quiet sacrifices, and constant presence are woven into every moment on stage. This company exists because of you.
This show is dedicated to Meredith Nickle. I hope you see some really nice things.
*Photography by Karyn Andrasko
Audition Notice
Materials Due June 1st
Serena Webb Dance Theater is seeking dancers ages 18+ who are skilled in modern, contemporary, and ballet dance for our 2026-2027 season. All dancers must be at a pre-professional or professional level. A dance degree or equivalent experience preferred.
Materials Due June 1st
Serena Webb Dance Theater is seeking dancers ages 18+ who are skilled in modern, contemporary, and ballet dance for our 2026-2027 season. All dancers must be at a pre-professional or professional level. A dance degree or equivalent experience preferred.
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ANNOUNCING OUR 2026-2027 SEASON
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The Vault: Works by Angie Banchero-Kelleher and Amy Markgraff
September 25-26, 2026 The Vault is an evening of powerful repertory works by choreographers Angie Banchero-Kelleher (RDT Alumni and Amy Markgraff. This dynamic program brings together a collection of their most compelling creations, showcasing distinct artistic voices, rich movement vocabulary, and bold storytelling through dance. |
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The Nutcracker and the Mouse Queen
December 16-17, 2026 Serena Webb Dance Theater returns with its annual audience favorite—an original Nutcracker unlike any other. Created and choreographed by Serena Webb and Karyn Andrasko, this production draws from Hoffmann’s original story with a bold theatrical edge. Featuring a cast of children and adults from the community, steampunk design, and a scrambled musical score, this Nutcracker breaks tradition in all the right ways—most notably, with the Mouse Queen as the only dancer en pointe. Find out what everyone has been raving about! |
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The Little Mermaid
May 7-8, 2027 She saved his life… but he never knew her name. The Little Mermaid brings to life the haunting original tale of a young mermaid who risks everything for love and the chance to gain an immortal soul. After rescuing a prince from the sea, she makes a dangerous bargain—trading her voice for legs, knowing that every step on land will feel like walking on knives. As the prince’s heart drifts toward another, she is faced with an impossible choice: destroy the one she loves, or lose everything—including her life. A story of longing, sacrifice, and the devastating cost of love. |
PROGRAM
Synopsis
Prologue
It is said that long before Snow White drew breath, the Vale of Alaric lay hidden beyond mortal maps, a kingdom cursed by its own beauty. Its ruler, Lord Alaric of Lys, had once been a mortal prince—beloved for his grace, feared for his pride. When the woman he adored died before their wedding, he swore never to yield to time or fate again. In his grief he made a covenant beneath the blood moon: life eternal, in exchange for his soul. The oath was sealed with a kiss from the Night itself, and from that hour he was neither living nor dead.
As ages passed, seven women came to him, each seeking immortality for a reason that bound them to sin:
Isolde, the Prideful, a queen who could not bear to fade and demanded worship for her beauty.
Mara, the Envious, who loved another’s husband and begged Alaric to make her his instead.
Selene, the Lustful, a courtesan who wished to be adored by kings forever.
Corvina, the Wrathful, a warrior who sought vengeance beyond death.
Petra, the Greedy, who offered her fortune for the promise of endless more.
Vera, the Gluttonous, who devoured life and delight until nothing sated her but blood.
Thessaly, the Slothful, a poet who begged Alaric to preserve her in perfect dreamless sleep.
Each woman he loved, each he turned—and each cursed him further. They became his Seven Brides, eternal mirrors of the sins he had awakened. Their love for him twisted into hunger; their beauty, into shadow. The Vale grew silent, caught between night and dawn.
Act 1
Scene 1: The Kingdom
Centuries later, in a mortal kingdom bright with frost, a child was born to a gentle king and queen: Snow White, whose skin was pale as snowfall and whose heart carried the same unearthly light that the Night had once stolen from the world. When her mother died, the grieving king was ensnared by a mysterious woman who arrived at court veiled in moonlight. She became his new queen—and within a year, he was dead.
The Queen ruled through fear and prophecy, her magic mirror whispering of a fate she could not escape. When Snow White came of age, the Queen commanded a grand masked ball to assert her dominance—but in secret, she ordered the Huntsman to kill the girl after the celebration, threatening his daughter’s life to ensure obedience.
Scene 2: The Ball
Among the masked nobles came a stranger dressed in black: Alaric, drawn by a pull he could not name. He danced with Snow White, and as their hands met, he felt the first heartbeat he’d heard in centuries. A drop of his blood brushed her skin—an ancient mark of connection.
Scene 3: The Forest
The Huntsman led Snow White into the woods, where duty warred with mercy. Before the blade could fall, Alaric emerged from the shadows, drawn by the bond he had unknowingly forged. He demanded the girl’s life—but the Huntsman refused. Steel met shadow, and their battle shook the trees.
In the chaos, Snow White saw the fate that awaited them both. With quiet resolve, she took the dagger into her own hands and plunged it into her heart—offering herself to spare the Huntsman from the Queen’s wrath.
As she fell, Alaric caught her. He felt her blood call to the darkness within him—the drop he had given her at the ball now answering its twin. With a breath, a whisper, a surrender of something ancient, he gave himself to her.
Her light… and his shadow… became one.
15 Minute Intermission
Act 2
Scene 1: The Crimson Vale
Snow White awakens in the Crimson Vale, carried beyond death into a world of shadow and stillness, where Alaric has brought her to join his eternal court as the Eighth Bride. And she does—rising as one of them, bound to the same darkness—yet she does not lose herself. Where the others have grown distant from what they once were, Snow White remains warm, kind, and unbroken. The Seven Brides gather around her not with jealousy, but with a quiet, aching recognition; in her, they see the echoes of their own lost humanity, and they mourn what she has become even as they are drawn to her light.
Alaric watches her move through the Vale, and something within him begins to change. What binds him to the others is ancient and unyielding—born of loneliness and time—but this is different. This is not hunger or possession, but love—real, chosen, and eternal. In her presence, the Vale itself begins to stir: black roses bloom with veins of crimson, and the stone halls, long untouched by feeling, awaken. The Brides whisper their stories to her, and Snow White listens, weeping for them. For the first time in ages, Alaric dares to hope.
Scene 2: The Queen's Sanctum
But the Queen’s mirror finds her again. It tells the Queen that Snow White still lives—reborn as something no curse can bind. In fury, the Queen conjures an apple of silver and blood, filled with venom that could fell even the eternal. Disguised as a penitent wanderer, she enters the Vale and offers the apple to Snow White, feigning remorse. Trusting the stranger's words, Snow White bites it—and falls into a deathless sleep.
Scene 3: The Vale
Alaric’s grief tears through the Vale. Desperate, he calls upon each Bride to share her blood, her sin, her memory, and pour them into Snow White’s heart. One by one, they obey. When the last—Thessaly—gives her dreamless peace, Snow White opens her eyes as dawn touches the Vale for the first time in a thousand years.
She is changed: not vampire, not mortal, but both—light and shadow intertwined. The sins that once cursed the Brides are redeemed through her. She rises as the Eighth Eternal, the first who can walk in sunlight and shadow alike.
Scene 4: The Castle
In the mortal kingdom, the Queen rises in fury, wielding dark magic born of envy and control—but when Snow White returns, she comes as the Eighth Eternal. Their powers collide in a fierce clash of shadow and light, the Queen striking with poison and rage as Snow White answers with a force beyond corruption. Where the Queen’s magic seeks to destroy, Snow White’s transforms, bending darkness to her will. In the final moment, Snow White overpowers her—not with mercy, but with undeniable strength—shattering the Queen’s magic and reducing it to ash.
The Seven Brides step into the sunlight, trembling as the dawn touches them. Freed at last, they rise into the sky, becoming constellations—each one a spark of sin transformed into grace. Then Alaric follows. He steps into the light and finds Snow White, seeing her fully for the first and last time. Though the curse is broken, the light will not spare him. He is forced to say goodbye as he dissolves into golden dust, smiling as he fades from her reach.
Snow White rules as a mortal queen with immortal grace. And in the crimson twilight of her halls, she sometimes hears a whisper carried on the wind:
“Eternal is the light that loves the dark.”
Paranormal Percussion, the ONLY annual Halloween-themed percussion show, is a rhythmic theatrical production of Halloween-themed songs played by Warehouse 5 Drum Theatre, a demented drum group, using only percussion instruments.
SNOW WHITE APPAREL FOR SALE
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CAST LIST
Snow White..........Claire Bagley-Hayes
Evil Queen..........Jennessa Hardman
Alaric..........Mackay Butler
Huntsman..........Rick George
Vampire Brides
1. Isolde/Pride.........Mikayla Brush
2. Mara/Envy.........Juliana Beers
3. Selene/Lust..........Sabrina Hardman
4. Corvina/Wrath..........Elizabeth Duggar
5. Petra/Greed..........Karyn Andrasko
6. Vera/Gluttony..........Kirsten Tucker
7. Thessaly/Sloth..........Breanne Burby
King.........Rick George
Priest..........Brian Tucker
Courtiers..........Karyn Andrasko, Juliana Beers, Mikayla Brush, Breanne Burby, Elizabeth Duggar, Sabrina Hardman, and Kirsten Tucker
Evil Queen..........Jennessa Hardman
Alaric..........Mackay Butler
Huntsman..........Rick George
Vampire Brides
1. Isolde/Pride.........Mikayla Brush
2. Mara/Envy.........Juliana Beers
3. Selene/Lust..........Sabrina Hardman
4. Corvina/Wrath..........Elizabeth Duggar
5. Petra/Greed..........Karyn Andrasko
6. Vera/Gluttony..........Kirsten Tucker
7. Thessaly/Sloth..........Breanne Burby
King.........Rick George
Priest..........Brian Tucker
Courtiers..........Karyn Andrasko, Juliana Beers, Mikayla Brush, Breanne Burby, Elizabeth Duggar, Sabrina Hardman, and Kirsten Tucker
*Photography by Karyn Andrasko
CHOREOGRAPHER
SERENA WEBB
Executive Artistic Director
Serena Webb received her BFA Degree in Modern Dance from Utah Valley University, specializing in Ballet, Modern, Contemporary, and Jazz. During her time at Utah Valley University she performed with the pre-professional company, Contemporary Dance Ensemble. Serena has worked with a variety of other professionals in the dance community, such as Ballet West, Ririe-Woodbury, Repertory Dance Theater, Utah Metropolitan Ballet, and Alivin Ailey. Serena co-founded Body Logic Dance Company in 2009, where she took on the role of Artistic Director, dancer, choreographer, and board member. She also co-created Body Logic Dance Academy successfully ran it for 8 years.
Serena made the exciting decision to create her own company and school in 2023, and continues to produce new works with her flare of dance theatrics. Her overall mission is to create art that any audience can connect with, by telling stories in a new and exciting way. Serena seeks dancers with commitment and passion for dance, professionalism, and the ability to get out of their comfort zones.
Serena made the exciting decision to create her own company and school in 2023, and continues to produce new works with her flare of dance theatrics. Her overall mission is to create art that any audience can connect with, by telling stories in a new and exciting way. Serena seeks dancers with commitment and passion for dance, professionalism, and the ability to get out of their comfort zones.
LIGHTING DESIGNER
GLENN LINDER
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Glenn has spent many years lighting theatre, dance, opera, live music, and corporate events around the country. He has no favorite shows, as every show can be fun and challenging. He also likes sunsets, long walks on the beach, and romantic dinners…usually by himself.
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CAST
CLAIRE BAGLEY-HAYES/SNOW WHITE
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Claire V. Bagley Hayes is very excited to perform in this show! Hayes is thrilled to continue pursuing her passion for dance and the arts while performing with Serena Webb Dance Theater. Hayes holds both a MFA in Modern Dance (University of Utah), as well as a BFA in Modern Dance (Utah Valley University). Performing with and touring to other countries with the U of U's Performing Dance Company, and previously with UVU's Contemporary Dance Ensemble, gave Hayes many outstanding opportunities to work with many notable choreographers, such as Elena Demyanenko, Eric Handman, Angela Banchero-Kelleher, Satu Hammasti, and Amy Markgraff-Jacobson. While dance performance is a passion, Hayes has dipped her toes into, (and even swam around inside) many other art forms to inform her creativity. Hayes has worn many different hats: Dancer, Choreographer, Film Editor, Photographer, Screendance Filmmaker, and Teacher. Her experience within the aforementioned artistic realms has brought a unique edge to her choreography and other artistic projects.
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JENNESSA HOWARD/THE EVIL QUEEN
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Jennessa started in Vaganova Ballet at the age of four in a studio run by her mother. She later went to Mt.San Antonio College to study different genres including Ballet, Modern, Jazz, and etc. She was a student performer in the Palm Springs Choreography Festival, A.C.D.F.A., Santa Monica’s Mix n’ Match Choreography Festival, Symbiosis, Oregon Eclipse, and opened for Martha Graham Dance Company. Jennessa has choreographed multiple dance pieces shown in student showcases and dance competitions across the United States. She graduated with an A.S. degree in Dance, Kinesiology with a California Certification as a Dance Teacher. She has studied world dances and circus arts under multiple teachers that have taught genres such as Butoh, Capoeira, Hand Balancing, Contortion, Aerial Silks, and Static Trapeze. She founded and was the director of Touching Space Dance Company, and now performs with Serena Webb Dance Theatre.
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MACKAY BUTLER/ALARIC
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Mackay started dancing in high school as an experiment, and it quickly became his passion. He dabbled in every style he could, gaining a wide variety of training, with a strong foundation in modern. He went on to receive a Bachelor of Arts in Dance from Brigham Young University, where he competed ballroom openly and danced on the university’s ballroom and contemporary companies. He also had the opportunity to dance on salsa champion Jorge Rentería’s salsa team with the Gio Danceworld studio in Pleasant Grove, UT and perform at the Las Vegas Super Congress. Mackay likes to say “If I get to move, I’m happy,” thus he is always looking for his next project, and is glad for every opportunity that allows him to spread the joy of expression through movement. He is married to the love his life Victor, and they reside in Orem, Utah.
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RICK GEORGE/KING/HUNTSMAN
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Kirsten Tucker started dancing at a very young age, and trained extensively in Ballet with Children's Ballet Theatre and Russian Institute of Ballet. She also danced on Skyline High School's dance company for three years where she learned to teach and choreograph. She was accepted into University of Utah's ballet program in 1994, and was a company member on their Character Dance Team. There she worked with a variety of dance professionals on Utah Ballet and Ballet West. She danced in a number of productions such as "The Ice Queen," "Giselle," and was highlighted as a soloist in William Christensen's "Coppelia," one of the last productions he directed before he passed away. She is the current Associate Artistic Director, as well as company dancer of Serena Webb Dance Theater, Webb Dance Academy Director, and a recent graduate of Utah Valley University with her BFA.
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MIKAYLA BRUSH/ISOLDE/COURTIER
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Mikayla has been dancing since she was three years old. She trained in ballet, jazz, contemporary, and modern and loves learning new styles. She taught dance for 9 years but decided to take a break to pursue her dreams of dancing on a stage again. This is her second year with Serena Webb Dance Theater. In her spare time, she loves traveling with her family and painting.
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JULIANA BEERS/MARA/COURTIER
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Juliana Beers began dancing at the age of 7. She trained in many styles under ReNae and Charlee Sorenson at Spotlight Revue Dance Studio, while also dancing with her high school’s dance company and ballroom team. She went on to major in ballet at BYU where she performed and toured with their ballet company, Theatre Ballet. Since graduating, she has danced with Cache Valley Civic Ballet, Illume Dance Company, and currently Serena Webb Dance Theater where she is the Rehearsal Director and official Costume Designer. She was also a member and choreographer of the Antiques Dance Company, where she performed and choreographed many pieces over three years. She won multiple awards for her choreography with the Antiques at regional and statewide competitions. She has also taught and choreographed at dance studios throughout Utah for 14 years. She is also the mother of two adorable young girls.
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SABRINA HARDMAN/SELENE/COURTIER
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Sabrina Hardman started dancing when she was 3 years old and has been dancing ever since. She has trained in various styles including ballroom, folk styles, and musical theater. She has danced at Spotlight Revue, Orem High Dance Co, Orem Ballroom Company, and NHSDA (National Honors Society for Dance Arts). This is her second year with Serena Webb Dance Theater.
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ELIZABETH DUGGAR/CORVINA/COURTIER
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Elizabeth Duggar graduated from SUU with her BS in Dance Performance. She loves dancing on the stage, whether it be as a dancing Police Officer in "Pirates of Penzance" or a strange human from the land of "Imago". Dance is more than just a form of expression for her - it is a means of connecting more deeply with humans and the human experience as she explores what that means through the mode of movement. She has two adorable young boys and is excited to show them you can always find ways to do the things you love, even when you’re old.
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KARYN ANDRASKO/PETRA/COURTIER
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Karyn Andrasko received her BA in Dance Performance from SUU and her MA in Dance Anthropology from Roehampton University in London. She has trained in many different dance genres but claims modern dance as her true love. She loves telling stories through movement by choreographing for modern dance companies and community musical productions. She is the Assistant Director at Serena Webb Dance Theater and has choreographed for several productions. 'All my love to Jackson, Sonya, Jonas, and Simon!''
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KIRSTEN TUCKER/VERA/COURTIER
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Kirsten Tucker started dancing at a very young age, and trained extensively in Ballet with Children's Ballet Theatre and Russian Institute of Ballet. She also danced on Skyline High School's dance company for three years where she learned to teach and choreograph. She was accepted into University of Utah's ballet program in 1994, and was a company member on their Character Dance Team. There she worked with a variety of dance professionals on Utah Ballet and Ballet West. She danced in a number of productions such as "The Ice Queen," "Giselle," and was highlighted as a soloist in William Christensen's "Coppelia," one of the last productions he directed before he passed away. She is the current Associate Artistic Director, as well as company dancer of Serena Webb Dance Theater, Webb Dance Academy Director, and a recent graduate of Utah Valley University with her BFA.
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BREANNE BURBY/THESSALY/COURTIER
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Breanne Burby started her Dance career in high school with a modern-contemporary dance class. After taking this class, she continued to dance through high school and into college, where she graduated from Dixie State University with a Bachelor’s degree in Dance. During her time at Dixie, she had the opportunities to explore different genres of dance such as ballet, jazz, tap, ballroom, ariel, and modern. Breanne has also had the opportunity to perform in multiple shows with the the Dixie State Dance Department, which included student and faculty choreographed performances, along with collaborating with Repertory Dance Theatre. Breanne believes that dance will benefit dancers as long as they are willing to put their time and effort into growing as a dancer, as that is what she has done for herself. As of recently Breanne continues to perform with Serena Webb Dance Theatre.
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BRIAN TUCKER/PRIEST
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Brian Tucker has been dancing for many years. This is his fifth production with Serena Webb Dance Theater, and will definitely not be his last. When he is not performing he is cheering the University of Utah's football team, working as a city planner for Salt Lake County, and wrangling his 6 kids and their plus ones.
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*Photography by Karyn Andrasko
Serena Webb Dance Theater is a registered non-profit organization.
We appreciate any donations that are made to support our future endeavors in bringing the arts to our community. Your donations help us to fund our shows with things such as; props and scenery, costumes, theater rental, staff salary, and lighting design. Donations will also help support our dancers, and help bring jobs to dance artists in the Midvale area. We appreciate your donations Thank You!
We appreciate any donations that are made to support our future endeavors in bringing the arts to our community. Your donations help us to fund our shows with things such as; props and scenery, costumes, theater rental, staff salary, and lighting design. Donations will also help support our dancers, and help bring jobs to dance artists in the Midvale area. We appreciate your donations Thank You!
